![]() Tank’s vocals are still top-notch when he decides to use them and the trap production is actually pretty solid this time around. It’s immediately linked to a beloved body of work and quickly pales in comparison. Michael Jackson never dropped Thriller 2, did he? Anyway, the follow-up to Tank’s acclaimed Sex, Love & Pain has that very struggle. We know he can do better.įorgotten favorites: “Everything,” “Good Thing”Įdd said: I’m always iffy about “sequel” albums – the title alone immediately sets a bar that’s often too high to clear. And despite the commercial success of “When We” the overall body of work suffers from major pitfalls – weak songwriting, generic trap drums, and Tank’s mighty vocals get lost in the beat. While Tank began to experiment heavily with the trap sound on his previous album, he goes ALL IN on this one. Soul in Stereo rating: 2.5 stars out of 5Įdd said: If you’ve been following this site for awhile, you know this ain’t a surprise. Rankings are determined by song quality, album consistency, and impact on the genre. Reminder: we’ll only be looking at his solo studio LPs, so no mixtapes, EPs or his TGT collabo with Ginuwine and Tyrese. You know how we do around this time – let’s look back at Tank’s near-20 year career, ranking his discography from worst to first. ![]() ![]() It’s hard to argue with success.īut you know what I can argue about? Dem albums. Emerging at the turn of the century as one of the next generation of crooners, he’s since traded in romance for raunch, riding that trap/soul train to some of the biggest successes of his career. Few artists have evolved like veteran singer-songwriter Tank.
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